Chefs to be honored with postal stamps
- Details
- Published on 26 September 2014
- Written by PRNewswire
The U.S. Postal Service is cooking up a feast of 20 million Limited Edition Celebrity Chefs Forever stamps today. The sugar-free, fat-free, zero-calorie stamps will be on the menu of the nation's Post Offices beginning today (Friday, Sept. 26).
The five chefs honored on the stamps —James Beard,Julia Child,Joyce Chen,Edna LewisandEdward (Felipe) Rojas-Lombardi— revolutionized the nation's understanding of food. By integrating international ingredients and recipes with American cooking techniques and influence, these chefs introduced new foods and flavors to the American culture.
"These chefs invited us to feast on regional and international flavors and were early — and ardent — champions of trends that many foodies now take for granted," said Pritha Mehra, U.S. Postal Service Entry Mail and Payment Technology vice president, prior to dedicating the stamps.
Mehra is the owner of the Mystic Kitchen cooking school where she teaches the art of Indian cooking to students throughout theWashington, D.C.metropolitan area.
"As they shared their know-how, they encouraged us to undertake our own culinary adventures, and American kitchens have never been the same since. That is why today, we are celebrating not only five celebrity chefs, but also the unique flavors and dishes that — thanks to them — have become American staples," she added.
The stamps feature digital illustrations byJason Seiler ofChicago, depicting the chefs in a style intended to resemble oil paintings. Art directorGreg BreedingofCharlottesville, VA, designed the stamps.
Available in a pane of 20, the stamps may bepurchasednow atusps.com/stamps, at 800-STAMP24 (800-782-6724) and on eBay atebay.com/stamps for delivery shortly afterSept. 26.
The five chefs are being recognized for inspiring the American public to expand its collective palates.
Anointed the "Dean of American cookery" by theNew York Timesin 1954,James Beard(1903–1985) laid the groundwork for the food revolution that has put America at the forefront of global gastronomy. He was a pioneer foodie, host of the first food program on the fledgling medium of television in 1946, the first to suspect that classic American culinary traditions might cohere into a national cuisine, and an early champion of local products and markets. Beard nurtured a generation of American chefs and cookbook authors who have changed the way we eat.
During World War II, he served with the United Seamen's Service, further developing his culinary and organizational skills by setting up clubs and canteens for merchant seamen inPuerto Rico,Brazil,PanamaandFrance. When he returned toNew York Cityin 1945, the local NBC station asked him to appear on the new medium of television. He jumped at the chance, appearing weekly in "Elsie Presents James Beard in 'I Love to Eat,'" sponsored by Borden.
In the years following, Beard appeared on television and wrote for such magazines as Gourmet and House and Garden.In 1955, he began a three-decade career as a teacher when he established the James Beard Cooking School.
From the 1950s onward, Beard became a sought-after restaurant consultant and commercial endorser while writing numerous books about cooking, entertaining and food. In 1952, he co-authored a guide to the restaurants ofParis, and in 1954 he published a guide to entertaining guests, "How to Eat Better for Less Money," and a book about cooking fish — which covered not only 80 species of fish and shellfish, but also frogs, turtles and snails. In 1959, "The James Beard Cookbook," a low-cost paperback for beginners or aspiring cooks in need of improvement, earned praise fromCraig Claiborneof theNew York Times,who dubbed Beard a "kitchen wizard."
After his death in 1985, his colleagues and friends established the James Beard Foundation and made his Greenwich Villagehouse a site for food-related events. The James Beard Foundation Awards recognize excellence in the food and beverage industries, and the foundation's scholarship program has given more than$3.5 millionin cash and tuition waivers to talented students. An annualJames Beardfood conference began in 2010, accompanied in 2011 by the James Beard Foundation Leadership Awards, an apt way to honor the gastronome that set American cooking on its way.
Joyce Chen(1917–1994) is one of America's most well-known promoters of Chinese food. From her landmark restaurant in theBostonarea to her cookbooks and trailblazing PBS television show, Chen invited newcomers to sample unfamiliar dishes in ways that firmly established Chinese cuisine inthe United States.
From her landmark restaurants in theBostonarea to her cookbooks and trailblazing PBS television show, Chen invited newcomers to sample unfamiliar dishes in ways that firmly established Chinese cuisine inthe United States.
Chen was born inBeijing, China, where her father, a railroad administrator and city executive, employed an excellent family chef. After overseeing a successful banquet when she was 18, Chen became eager to learn more about cooking and food. After the Chinese Revolution in 1949, Chen leftChinaand found herself inCambridge, MA, where Chinese students from local universities would visit her family for meals — and to enjoy a rare taste of home.
In 1958, Chen opened her first restaurant inCambridge.At a time when even soy sauce was considered exotic in America, Chen introduced many Northeasterners to such dishes as Peking duck, moo shu pork and hot-and-sour soup, often serving Chinese food buffet-style, at first alongside familiar Western dishes so nervous patrons could comfortably sample new things.
In 1962, two years after teaching Chinese cooking classes with long waiting lists, Chen compiled her recipes and kitchen tips into the "Joyce Chen Cook Book." She devoted chapters to proper chopstick usage, regional variations, the importance of tea, the difference between home and restaurant cooking and methods of preparing perfect rice. In the decade following, Chen's cookbook sold more than 70,000 copies and was reprinted well into the 1980s.
Julia Child'ssuccess on television promptedBostonpublic television station WGBH to ask Chen to host her own show. Filmed in the late 1960s, "Joyce Chen Cooks" aired on public television stations across the country. The show is credited with expanding America's interest in and knowledge of Chinese food and culture.
She died inLexington, MA.In 1998, Chen was posthumously included in the James Beard Foundation Hall of Fame.
Julia Child(1912–2004), demystified French cuisine for a U.S. audience. Through her extremely popular television shows and cookbooks, Child showed us that we could make even complicated dishes in our very own kitchens, doing so with ajoie de vivrethat made her the public face of American cooking for more than 40 years.
BornJulia Carolyn McWilliamsinPasadena, CA, she graduated fromSmith Collegein 1934 and moved briefly toNew York Citywith dreams of becoming a novelist before returning toCalifornia.
After a stint inWashington, D.C., Child accompanied her husband toParisfor his work with the U.S. Information Service in 1948. She fell instantly in love withFranceand within a year enrolled in cooking classes at Le Cordon Bleu, the renowned Parisian cooking school, and graduated in 1951.
In 1952, Child met two French women who were writing a cookbook for Americans in need of an American collaborator. Together they opened a cooking school and spent several years drafting a manuscript that initially proved too lengthy and too intimidating for American publishers — until editorJudith Jonesdecided to take a chance on it. In 1961, the year Child and her husband returned tothe United States,Alfred A. Knopfpublished the 684-page "Mastering the Art of French Cooking, Volume One," a Book-of-the-Month Club Selection that remains popular to this day.
While promoting the cookbook on the Boston PBS television show "I've Been Reading" in 1962, Child demonstrated recipes on the air for nearly half an hour. Her lively and engaging performance prompted PBS station WGBH to offer her a show of her own. In 1963, "The French Chef" debuted nationally — and at the age of 50,Julia Childbecame a star.
Child filmed episodes of "The French Chef" through 1966. She earned a Peabody Award for Distinguished Achievement in Television in 1964, while the show won a 1966 Primetime Emmy. Child published "The French Chef Cookbook" to accompany the television series and in 1970 co-authored "Mastering the Art of French Cooking, Volume Two," proud to have developed the first successful recipe for real French bread made with American flour in a home oven.
New episodes of "The French Chef" debuted in 1970, followed by a 1975 companion cookbook, "FromJulia Child'sKitchen," in which Child expanded beyond French cooking to include curries, New England chowders and even a look at microwave ovens. She became such a cultural icon that in 1978,Dan Aykroydparodied her on "Saturday Night Live."
During the 1980s and 1990s, Child starred in a dizzying array of new series, including "Dinner at Julia's," the Emmy-winning "In Julia's Kitchen with Master Chefs," and "Baking with Julia." She appeared on "Good Morning America," and wowed viewers with a multi-day series about her adventures inItaly. She appeared alongside her friendJacques Pepinin two PBS specials and the Emmy-winning series "Julia and Jacques Cooking at Home," which showcased the co-stars' chemistry and lively debates.
In 1981, she co-founded the American Institute of Wine and Food, and a decade later she andJacques Pepinworked withBoston Universityto help create a graduate program in gastronomy, "a unique, multidisciplinary program that encompasses the arts, the humanities and the natural and social sciences."
In 1996, TV Guide named Child one of the 50 greatest TV stars of all time, and she became a fellow of the American Academy of Arts and Sciences in 2000. Her kitchen became a popular exhibition at the Smithsonian Institution's National Museum of American History in 2002, and in 2003 she received the Presidential Medal of Freedom, our nation's highest civilian honor.
Today, the Julia Child Foundation for Gastronomy and the Culinary Arts continues to support her "commitment to educate and encourage others to live well through the joys of cooking and eating well."
Known as "the Grande Dame of Southern Cooking,"Edna Lewis(1916–2006) found wisdom in the customs and patterns of her ruralVirginiachildhood. By bringing such quintessential dishes as shrimp and grits or roast chicken to the plates of fine restaurants, Lewis convinced her fellow Americans to take a second look at Southern cooking while also serving as one of the first voices to reemphasize the importance of fresh, seasonal ingredients.
Lewis was bornApril 13, 1916, inFreetown, VA, a farming community founded by her grandfather and other freed slaves. For the rest of her life, Lewis fondly recalled the lifestyle and customs she grew up with and strove to share with the rest of the world. "The spirit of pride in community and of cooperation in the work of farming is what madeFreetowna very wonderful place to grow up in," she wrote in her 1976 book "The Taste of Country Cooking."
In 1948, antiques dealerJohn Nicholsonpersuaded her to be the cook at his newManhattanrestaurant, Cafe Nicholson. The restaurant soon attracted a celebrity clientele, from comediansJerry LewisandDean Martinto musicianHoagy Carmichaeland filmmaker Jean Renoir, while also drawing such famous Southern writers as Tennessee Williams,William Faulkner, and — one ofEdna Lewis'sfavorites —Truman Capote. An enthusiastic 1951 New York Herald Tribune article informed readers that Cafe Nicholson had no menu, but served the same delicious meals every day, such as roast chicken with herbs — what Nicholson himself later called "a very simple menu, and very simply presented."
After Lewis left Cafe Nicholson in the 1950s, she raised pheasants, catered private parties and worked at the American Museum of Natural History, but her reputation as a cook never diminished. She published "The Edna Lewis Cookbook" in 1972, and at the encouragement ofJudith Jones,Julia Child'seditor, she began to write books that combined recipes and cooking tips with her personal recollections. TheNew York Timesproclaimed that her classic 1976 book "The Taste of Country Cooking" "may well be the most entertaining regional cookbook in America."
During the 1980s and early 1990s, Lewis lived inNorth Carolina,South Carolina,VirginiaandNew Yorkwhere she worked as a chef at various restaurants and wrote "In Pursuit of Flavor," a 1988 cookbook that included nearly 200 recipes and her own recollections and commentary.
In 2003, with herAlabama-born protegeScott Peacock, Lewis co-wrote "The Gift of Southern Cooking," a book praised by Publishers Weekly for its authors' "heartfelt friendship and mutual respect."
Lewis died in 2006. In 2009, she was honored as an African American Trailblazer by the Library ofVirginia. January 2012saw the creation of theAtlanta-based Edna Lewis Foundation, dedicated "to honoring, preserving, and nurturing African Americans' culinary heritage and culture and to elevating the appreciation of our culinary excellence." The foundation fosters educational initiatives, offer leadership and food-industry awards and host an annual conference — all in keeping with Lewis's positive spirit. "One of the great pleasures of my life," she wrote, "has been that I have never stopped learning about good cooking and good food."
Renowned for his creativity and culinary adventurousness,Edward (Felipe) Rojas-Lombardi(1946–1991) is widely credited with introducing the Spanish small-plate tapas concept to American restaurants while raising the profile ofCaribbeanand South American cuisine.
Rojas-Lombardi was born and raised inPeru. His mother was Italian, and his father was a Chilean of Spanish and German descent who hoped his son would become a lawyer. When, as the first-born son, Rojas-Lombardi was sent to live in the home of his Chilean grandmother to learn the full range of family traditions, he marveled at her ability to prepare feasts for their large family.
In the late 1960s, after a stint in law school inPeru, Rojas-Lombardi moved toNew York City, where he continued to study cooking and worked as the assistant to teacher and lecturerJames Beard, who served as his mentor.
By the early 1970s, the breadth of Rojas-Lombardi's culinary interests was becoming well known to the public. In addition to teaching and lecturing alongsideJames Beard, he also wrote a popular syndicated newspaper column about food. In 1972, he published The "A to Z No-Cook Cookbook," an illustrated collection of recipes that included sandwiches, salads and other dishes for children to prepare, while also writing a booklet about the preparation of game meat.
In the late 1970s, he served as a consultant for the Ballroom, aNew York Cityrestaurant and cabaret, later becoming executive chef and owner. There he introduced New Yorkers to the concept of tapas, the appetizer-sized dishes commonly served as snacks in Spanish bars and cafes.
In the mid-1980s, Rojas-Lombardi appeared on the PBS series "New York'sMaster Chefs," where he put tapas before a nationwide audience. Inspired to imitate him, chefs acrossthe United Statestransformed the Spanish bar-snack concept into small dinner plates intended for sharing. In 1985, Rojas-Lombardi published "Soup, Beautiful Soup," a collection of more than 100 recipes inspired by the chef's memories of eating soup before every lunch and dinner inPeru.
Around the time he died in 1991, American food-lovers greeted his book "The Art of South American Cooking," an impressive and encyclopedic collection of recipes for soups, seafood, ceviches, empanadas, tamales and desserts that also offers vital tips on using cooking oils, making sauces and stocks and preparing seafood, produce, peppers, nuts and other specialized ingredients.
First-Day-of-Issue Postmarks
Customers have 60 days to obtain the first-day-of-issue postmark by mail. They may purchase stamps at a local Post Office, The Postal Store atusps.com/stamps,or by calling 800-STAMP-24. Customers should affix the stamps to envelopes of their choice, address the envelopes to themselves or others, and place them in larger envelopes addressed to:
Celebrity Chefs
Retail Specialist
433 W Harrison Street
Chicago, IL60699-9611
After applying the first-day-of-issue postmark, the Postal Service will return the envelopes through the mail. While the first 50 postmarks are free, there is a5-centcharge per postmark beyond that. All orders must be postmarked byNov. 26, 2014.
The Postal Service also offers first-day covers for new stamp issues and Postal Service stationery items postmarked with the official first-day-of-issue cancellation. Each item has an individual catalog number and is offered in the quarterlyUSAPhilatelic catalog, online atusps.com/stampsor by calling 800-782-6724. Customers may request a free catalog by calling 800-782-6724 or writing to:
United States Postal Service Catalog Request
PO Box 219014
Kansas City, MO 64121-9014
Philatelic Products
Nine philatelic products are available for this stamp issue:
472324,Framed Art$39.95
472306,Press Sheet with die cuts$88.20(print quantity 1,000)
472308,Press Sheet without die cuts$88.20(print quantity 1,500)
472310,Keepsake(Pane and Digital Color Postmark Set of 5),$18.95
472316,First Day Cover Set of 5,$4.65
472321,Digital Color Postmark Set of 5,$8.20
472330,Ceremony Program(random stamp),$6.95
472331, Stamp Deck Card,$0.95
472332, Stamp Deck Card with Digital Color Postmark (random stamp),$1.99
The Postal Service receives no tax dollars for operating expenses and relies on the sale of postage, products and services to fund its operations.
Business support for minimum wage increase is growing
- Details
- Published on 25 September 2014
- Written by PRNewswire
Business support for a minimum wage hike is growing, according to results of a national poll released just five weeks before elections in which the minimum wage continues to be a hot topic.
The new CareerBuilder survey shows businesses are agreeing with voters who want the minimum wage increased, though not by the same amount. The survey found that a strong majority of employers (62 percent) think the minimum wage in their state should be increased, including 58 percent of company senior leaders.
The nationwide survey, which was conducted online by Harris Poll on behalf of CareerBuilder from May 13 to June 6, included a representative sample of 2,188 full-time hiring and human resource managers and 3,372 full-time workers in the private sector across industries and company sizes.
While most employers would like to see a hike in their state, only 7 percent think a minimum wage of $15 an hour or more would be fair and 9 percent don't think there should be a set minimum wage. Nearly half (48 percent) think a fair minimum wage should be set between $10 and $14 an hour.
- $7.25 per hour (current federal minimum): 8 percent
- $8.00 or $9.00 per hour: 29 percent
- $10.00 per hour: 29 percent
- $11.00-$14.00 per hour: 19 percent
- $15.00 or more per hour: 7 percent
- No set minimum wage: 9 percent
Among employers who want an increase in their state, improving the standard of living of workers led all business-related reasons for their support. A majority say a higher minimum wage helps the economy and helps them retain employees.
- It can improve the standard of living: 74 percent
- It can have a positive effect on employee retention: 58 percent
- It can help bolster economy: 55 percent
- It can increase consumer spending: 53 percent
- Employees may be more productive/deliver higher quality work: 48 percent
- It can afford workers the opportunity to pursue more training or education: 39 percent
Employers who do not support a minimum wage increase in their state cite several reasons related to negative effects it may have on their business.
- It can cause employers to hire less people: 66 percent
- It can cause issues for small businesses struggling to get by: 65 percent
- It can cause hikes in prices to offset labor costs: 62 percent
- It can mean potential layoffs: 50 percent
- It can lead to increased use of automation as a replacement for workers: 32 percent
- Wages for higher-level workers may suffer and create retention issues: 29 percent
A separate sample found that 79 percent of full-time, non-management-level employees have worked in a minimum wage job in the past or are currently in a minimum wage job. Of these workers, 59 percent were not or are not able to make ends meet financially.
Twenty-seven percent of employers are hiring minimum wage workers in 2014, including 51 percent of retailers and 58 percent of leisure and hospitality firms. Of those employers who currently employ minimum wage workers, 45 percent are hiring more minimum wage workers today than they did pre-recession.
Interestingly, employers currently hiring minimum wage workers are more likely to support a minimum wage increase than those who are not by an 11-point margin (70 percent vs. 59 percent).
Industry and Demographic Breakdown
Percentage of employers favoring |
|
Gender |
|
Male |
57% |
Female |
68% |
Age |
|
18-34 |
71% |
35-54 |
61% |
55+ |
56% |
Industry |
|
Health Care |
65% |
Retail |
68% |
Leisure & Hospitality |
60% |
Information Technology |
67% |
Manufacturing |
52% |
Financial Services |
54% |
Professional & Business Services |
59% |
Region |
|
Northeast |
64% |
South |
63% |
Midwest |
58% |
West |
62% |
Company size (employees) |
|
<50 |
59% |
51-500 |
62% |
501-1000 |
67% |
>1001 |
63% |
This survey was conducted online within the U.S. by Harris Poll on behalf of CareerBuilder among 3,372 workers and 2,188 hiring and human resource managers ages 18 and over (employed full-time, not self-employed, non-government) between May 13 and June 6, 2014 (percentages for some questions are based on a subset, based on their responses to certain questions).
With pure probability samples of 3,372 and 2,188, one could say with a 95 percent probability that the overall results have sampling errors of +/- 1.69 percentage points and +/-2.10, respectively. Sampling error for data from sub-samples is higher and varies.
Economic indicators continue to rise
- Details
- Published on 19 September 2014
- Written by Paul Gordon
The Conference Board Leading Economic Index® (LEI) for the United States continued its growth trend in August, increasing 0.2 percent in August to 103.8 (2004 = 100), following a 1.1 percent increase in July, and a 0.7 percent increase in June.
"The LEI continued to rise in August, although at a slower rate than in July," said Ataman Ozyildirim, Economist at The Conference Board. "The LEI's six-month growth trend has been held back slightly by lackluster contributions from housing permits and new orders for nondefense capital orders. Despite concerns about investment picking up, the economy should continue expanding at a moderate pace for the remainder of the year."
"The leading indicators point to an economy that is continuing to gain traction, but most likely won't repeat its stellar second quarter performance in the second half," said Ken Goldstein, Economist at The Conference Board. "Meanwhile, the CEI, a measure of current economic activity, continued to expand through August, amid improving personal income, employment and retail sales. However, industrial production registered a slight decrease for the first time in seven months."
The Conference Board Coincident Economic Index® (CEI) for the U.S. increased 0.2 percent in August to 109.7 (2004 = 100), following a 0.1 percent increase in July, and a 0.3 percent increase in June.
The Conference Board Lagging Economic Index® (LAG) for the U.S. increased 0.3 percent in August to 125.1 (2004 = 100), following a 0.3 percent increase in July, and a 0.4 percent increase in June.
The composite economic indexes are the key elements in an analytic system designed to signal peaks and troughs in the business cycle. The leading, coincident, and lagging economic indexes are essentially composite averages of several individual leading, coincident, or lagging indicators. They are constructed to summarize and reveal common turning point patterns in economic data in a clearer and more convincing manner than any individual component – primarily because they smooth out some of the volatility of individual components.
The 10 components of The Conference Board Leading Economic Index® for the U.S. include:
Average weekly hours, manufacturing
Average weekly initial claims for unemployment insurance
Manufacturers' new orders, consumer goods and materials
ISM® Index of New Orders
Manufacturers' new orders, nondefense capital goods excluding aircraft orders
Building permits, new private housing units
Stock prices, 500 common stocks
Leading Credit Index™
Interest rate spread, 10-year Treasury bonds less federal funds
Average consumer expectations for business conditions
For more information about The Conference Board global business cycle indicators:
http://www.conference-board.org/data/bci.cfm
Summary Table of Composite Economic Indexes |
||||
2014 |
6-month |
|||
Jun |
Jul |
Aug |
Feb to Aug |
|
Leading Index |
102.5r |
103.6r |
103.8p |
|
Percent Change |
0.7r |
1.1r |
0.2p |
3.9 |
Diffusion |
60.0 |
70.0 |
50.0 |
80.0 |
Coincident Index |
109.4 |
109.5r |
109.7p |
|
Percent Change |
0.3 |
0.1r |
0.2p |
1.4 |
Diffusion |
100.0 |
100.0 |
75.0 |
100.0 |
Lagging Index |
124.3r |
124.7r |
125.1p |
|
Percent Change |
0.4r |
0.3r |
0.3p |
2.3 |
Diffusion |
71.4 |
64.3 |
57.1 |
64.3 |
p Preliminary r Revised |
Corn Stock will 'bare' social issues in winter season opener
- Details
- Published on 23 September 2014
- Written by Paul Gordon
A musical with the title of “bare” is tantalizing enough, but the fact it is being presented in Corn Stock Theatre’s Winter Playhouse, where edgy is the norm, may tip the curiosity scale for many.
At least Deric Kimler hopes it does.
Kimler, making his Corn Stock directorial debut with “bare: The Musical,” said there is so much to the message this show presents to its audiences that he wants as many to see it as possible. It is, he added, “a show that everybody needs to see, one that every theatre needs to do. I’m just happy Corn Stock is doing it.”
“bare: The Musical” is the opening show of Corn Stock’s winter season and it opens Friday at the Winter Playhouse in Upper Bradley Park. It will play six performances; Friday and Saturday at 7:30 p.m., then Oct. 2, 3 and 4 at 7:30 p.m. and Oct. 5 at 2:30 p.m.
The briefest of synopses about “bare” say it is a pop opera that centers on two gay high school students and their struggles at a private, Catholic boarding school. But Kimler said it is much more than that as it looks at issues of obesity, teen pregnancy, drug use, interracial relationships and other issues that tend to test the tolerance of many parents and those with a conservative lean.
“Its message is one that really should have been done here 20 years ago. It talks more about adults and how they put their kids into a box when they are in their prime learning age. It’s sort of like the Disney effect and how we all eventually grow up and find out it just isn’t true. Corn Stock is the perfect place to do this show,” Kimler said.
While the play is about high schoolers, the leads are portrayed by adults. Kimler said the sex scenes in the play, while not revealing in any way, are challenging and heavy. The play itself can be viewed as a downer, which may turn some potential audience members away.
“I know some in our cast are a little nervous about their family members seeing the show. But I challenged the cast to discuss it with the person they are most nervous about and invite them specifically to come to the show. Many have and I think they will be surprised,” Kimler said.
As has become somewhat customary at CST’s Winter Playhouse with controversial plays, there will be a talkback after each performance of “bare,” led by Dr. Lori Russell-Chapin, associate dean at Bradley University and head of its psychology master’s degree program. “I think this show will dig up a lot of skeletons and if people don’t want to bare their souls at the talkback, we will have brochures with tips on how to reach somebody who can help,” he said.
There are 17 in the “bare” cast, headed by Austin Gruber as Jason and Jeremy Kelly as Peter, the students who secretly date. One is a sports star; hence, the secrecy. Other leads are Bree Carroll as the popular and misunderstood Ivy, Beth Ann Evers as Nadia and Farris Abou-Hanna as Matt.
The school officials are headed by Jasmyne Providence portraying the nun Sister Chantelle and Scott Moore as the priest.
Gruber and Kelly agreed that while Corn Stock has done edgy productions at its Winter Playhouse before, they think this show will be unique. “It’s a musical, but it is heartbreaking. It gets to you. I don’t think I’ve ever seen anything done here like it. I hope people will be excited to see it,” he said.
Kelly said the challenge for him in “bare” is that he is playing a character unlike those he normally plays. This character is quiet, more reserved than, say, the role of the hippie Berger is Corn Stock’s production of “Hair” two years ago. “But it’s a role I really enjoy getting to dive into and it’s a deep story. It’s a story people should see,” he said.
Added Gruber, “It’s not a story about gay and straight. It’s a love story at heart that deals with image issues and how people are perceived.”
Kimler praised the entire cast for taking the dynamic of their character, working with it and turning it into their own. “There is now a weak link in this show,” he said.
Maggie Sloter directs the five-man rock group that accompanies the cast.
Tickets for “bare” are $15 for adults and $10 for students. They can be reserved by calling (309) 676-2196 or online at www.cornstocktheatre.com.
The rest of the winter season includes “November,” the political comedy written by David Mamet, which will be performed Oct. 17, 18, 23-26; “The Shape of Things,” a comedy that looks at seduction as an art, scheduled for Nov. 14 , 15, and 20-23; the drama “Other Desert Cities” scheduled Jan. 23, 24, 29. 30 and 31 and Feb. 1; “Humanity Stew,” a series of short comedies written by a local playwright, set for Feb. 13, 14, and 19-22; and the bloody comedy “The Lieutenant of Inishmore,” March 20, 21 and 26-29.
Winter season tickets are on sale for $50.
Peoria Symphony hosts Sarah Chang
- Details
- Published on 18 September 2014
- Written by Paul Gordon
With a world-renowned violinist as guest artist, the Peoria Symphony Orchestra officially opens its 2014-15 season Saturday at the Peoria Civic Center.
Violinist Sarah Chang will open the season, the Symphony’s 117th at 8 p.m. in the Civic Center Theatre.
The 2014-2015 Peoria Symphony Orchestra (PSO) concert season is marked by outstanding guest artists including “world-artists,” favorite composers, innovative programming and increased focus on community outreach, according to a PSO release. Music Director George Stelluto said he is “most excited by the upcoming 2014-2015 season as it represents everything the PSO should be – an inspiring musical feast that is both gourmet and comfort food for the ears!”
Chang will joins the Symphony for Dvorák’s Violin Concerto, described as “a work filled with Bohemian high spirits, particularly in the folk-dance-inspired finale.” It will end with Symphony No.1 by Brahms, “his magnificent debut as a symphony composer, and a work whose composition spanned nearly a quarter of a century.”
A 7 p.m. pre-concert lecture is an opportunity for the audience to learn more about the music. Stelluto will be the lecturer. There will be a complimentary audience appreciation reception after the concert.
Chang is recognized as one of the world’s great violinists. Since her debut with the New York Philharmonic at the age of 8 she has performed with the greatest orchestras, conductors and accompanists internationally in a career spanning more than two decades. In 2012, she will have recorded exclusively for EMI Classics for 20 years.
In 2006, she was honored as one of 20 Top Women in Newsweek Magazine’s “Women and Leadership, 20 Powerful Women Take Charge” issue. In 2008, she was honored as a Young Global Leader for 2008 by the World Economic Forum for her professional achievements, commitment to society and potential in shaping the future of the world.
Founded in 1897, the PSO was named 2013 Professional Orchestra of the Year by the Illinois Council of Orchestras was awarded the prestigious ASCAP Award at the League of American Orchestra’s National Convention and recently received the All American City Award presented by the Peoria Chamber of Commerce.
The PSO is the 14th oldest symphony in the U.S. and has been under the direction of Stelluto since 2010. Comprised of musicians from throughout Illinois, the orchestra’s mission is to be a leading cultural force with an influence that reaches beyond the region as a national model of community innovation, music education and collaboration.
Tickets start at $38 for adults and are only $11 for students. They may be purchased by visiting the PSO box office, 101 State Street in Peoria, or by calling (309) 671-1096 or online at peoriasymphony.org.
Season tickets also are on sale and include a Pick-Four subscription. Prices for the full package vary according to seat location. Also, new season ticket subscribers or those who have not subscribed in five or more years may get season tickets at half price.